grand Black Female Poets

Cincinnati Address - grand Black Female Poets.
The content is good quality and useful content, That is new is that you never knew before that I do know is that I have discovered. Prior to the distinctive. It's now near to enter destination grand Black Female Poets.

Do you know about - grand Black Female Poets

Cincinnati Address! Again, for I know. Ready to share new things that are useful. You and your friends.

In 1773 Phyllis Wheatley became the first African American and the third woman in the United States to release a book of poems. A second manuscript was written, but never published, nor found. Since that time, black female poets have spoken loud and clear about the angst and optimism of the black experience. Four of these sisters who broke new ground are Nikki Giovanni, Sonia Sanchez, Gwendolyn Brooks and Maya Angelou.

What I said. It is not outcome that the true about Cincinnati Address. You check this out article for information on anyone wish to know is Cincinnati Address.

How is grand Black Female Poets

We had a good read. For the benefit of yourself. Be sure to read to the end. I want you to get good knowledge from Cincinnati Address.

Yolande Cornelia "Nikki" Giovanni, Jr. Was born June 7, 1943, in Knoxville, Tennessee and grew up in Cincinnati, Ohio. Giovanni attended Fisk University and In 1967 earned in B.A. In history. Later she became a professor of writing and literature at Virginia Polytechnic form and State University. She has penned two dozen books, most notably her works of poetry during the 60s. These works comprise "Black Feeling, Black Talk" (1968), "Black Judgement" (1968), and "Re: Creation" (1970). Her three most recent works are "Love Poems," "Blues: For All the Changes," and "Quilting the Black-Eyed Pea; Poems and Not Quite Poems," and "Ego-Tripping and Other Poems for Young People." In 1988 she published a collection of essays, "Sacred Cows...and Other Edibles."

It has been written that, "Her collection of poetry, 'Black Feeling, Black Talk, Black Judgement,' captures the militant attitude of the civil ownership and Black Art movements of that time."

Wilsonia Sonia Benita Sanchez is a poet/playwright and teacher borm September 9, 1934, in Birmingham, Alabama. Like Ms. Giovanni she earned a B.A. Degree. Sanchez received hers in political science from Hunter College in 1955. She has won numerous literary honors including the Lucretia Mott Award, a National Endowment for the Arts award and an honorary Ph.D from Wilberforce University (1972).

In 1972 Sanchez joined the Nation of Islam. However, she left in 1975 because some of her views conflicted with the Nation of Islam's position on women's roles. Sanchez has all the time been known for the fact that her political activism is also evident in her plays and poetry. Her work includes, "Homegirls & Hand Grenades" (1985), for which she received the American Book Award. Her most predominant plays include, "The Bronx is Next" (1970), "Sister Sonji" (1972), "Malcolm Man/Don't Live Here No More" (1979), and "I'm Black When I'm Singing, I'm Blue When I Ain't" (1982).

In 1965 she joined the faculty at San Francisco State University. She also taught at Rutgers University, the University of Pittsburgh, Manhattan community College of Cuny; The City College of Cuny, Amherst College, and the University of Pennsylvania. Ten years later she was on the faculty of Temple University.

Gwendolyn Brooks was born June 7, 1917 in Topeka, Kansas. However, the Brooks family soon moved to Chicago. According to researcher Kenny Jackson, as a young woman Brooks was fortunate sufficient to meet "James Weldon Johnson and Langston Hughes, who urged her to read contemporary poetry--especially the work of Ezra Pound, T. S. Eliot, and e. E. Cummings--and who emphasized the need to write as much and as frequently as she maybe could."

Subsequently, much of her work was featured in the Chicago Defender. In 1945 her first book of poetry was published, "A street In Bronzeville." That same year she received a Guggenheim Fellowship. While it was critically well received, as was her second book 1949's "Annie Allen." Five years hence Ms. Brooks struck pay-dirt. That year she became the first black woman to win a Pulitzer Prize.

Over the years she was invited to read at a Library of Congress poetry festival (1962), named as a poetry consultant to that same body (1985) and in 1994 she was excellent by the National Endowment for the Humanities as the 1994 Jefferson Lecturer, the highest award in the humanities given by the federal government.

According to Jackson, "A turning point in her occupation came in 1967 when she attended the Fisk University Second Black Writers' seminar and decided to come to be more complicated in the Black Arts movement. She became one of the most graphic articulators of 'the black aesthetic.' Her 'awakening' led to a shift away from a major publishing house to smaller black ones. While some critics found an angrier tone in her work, elements of protest had all the time been present in her writing and her awareness of group issues did not result in diatribes at the cost of her clear commitment to aesthetic principles."

Some of her works include, "Bronzeville Boys and Girls" (1956), "In the Mecca" (1968).

"The Bean Eaters" (1960), "Selected Poems" (1963), and "Report from Part One: An Autobiography" (1972). Her newest work is a book of poetry titled, "In Montgomery." Many of her poems are superior pieces that dealt with the abject nature of inner city life and racial inequality. It has been written that the impetus for a lot of her work came about by "looking out of the window of her second-floor apartment house in Chicago." maybe Brooks is best known for the succinct and soulful, "We Real Cool":

We real cool. We

Left school. We

Lurk late. We

Strike straight. We

Sing sin. We

Thin gin. We

Jazz June. We

Die soon.

Brooks said of the pool players in her excellent work, "They have no pretensions to any glamour. They are supposedly dropouts, or at least they're in the poolroom when they should maybe be in school. You're supposed to stop after the 'We' and think about their validity...I want to recount their basic uncertainty, which they don't bother to query every day."

Maya Angelou was born Marguerite Ann Johnson on April 4, 1928 in St. Louis, Missouri. during her twenties Maya studied dance in New York City and also sang in nightclubs on both coasts. She has lived all over the world, even serving as editor for The Arab Observer, a Cairo newspaper. She also taught in music and drama in Ghana and studied cinematography in Sweden. Marguerite later married Tosh Angelos, a Greek-American sailor. Theirs was a short-lived marriage and they divorced.

Angelou is a poet, actor, director, producer and author of stage, film and television. She is the author of "I Know Why the Caged Bird Sings" (1969), which focused on growing up in the racist South and her rape by her mother's boyfriend, and her volume of poetry "Just Give Me a Cool Drink of Water 'Fore I Die" (1971). She earned a Pulitzer Prize nomination for the score she wrote for the film, "Georgia." In 1977, she was nominated for an Emmy award for her portrayal of Nyo Boto in the television miniseries"Roots."

She has served under Presidents Ford and Carter, as a member of the Bicentennial Commission and a member of the Commission for the International Woman of the Year. In 1993, she was asked to read an traditional poem for the William Jefferson Clinton inauguration--a piece titled, On the Pulse of Morning."

According to Wikipedia, "Comedian David Alan Grier spoofed Angelou while hosting the sketch comedy show Saturday Night Live. The gag was that Angelou (played by Grier) had been hired as the new spokesperson for Pennzoil motor oils. In character, Grier read a poem dramatically, using Afrocentrism as an analogy for motor oil. There was a similar joke during the same lesson with Grier-as-Angelou hawking Froot Loops morning meal cereal. Angelou is said to have requested a copy of the sketch on videotape because she so enjoyed it."

Angelou once penned:

...Men themselves have wondered

What they see in me.

They try so much

But they can't touch

My inner mystery.

When I try to show them

They say they still can't see.

I say,

It's the arch of my back,

The sun of my smile,

The ride of my breasts,

The grace of my style.

I'm a woman

Phenomenally.

Phenomenal woman,

That's me...

Sources:

Nikki Giovanni biography Wikipedia

"Women of Color Women of Word, African American Female Playwrights--Sonia Sanchez." Author and publication unknown.

"An Interview with Brooks: On 'We Real Cool'," by George Stavros

"Gwendolyn Brooks' Life and Career," by Kenny Jackson Williams

"Maya Angelou, biography,"

I hope you receive new knowledge about Cincinnati Address. Where you can offer used in your day-to-day life. And most importantly, your reaction is Cincinnati Address. View Related articles associated with Cincinnati Address. I Roll below. I have recommended my friends to help share the Facebook Twitter Like Tweet. Can you share grand Black Female Poets.

Related Articles



No comments:

Post a Comment